Somewhere in that between-Christmas-and-New-Year smudge, I found myself watching not Going for Gold with Henry Kelly, but The Crystal Maze with Ed Tudor-Pole. This won’t surprise anybody who’s been here for any length of time; indeed, the surprise will probably come from the fact that it’s been a while – at least a year! Coming straight after Willy Wonka and the Chocolate Factory, it was difficult to tell where one ended and the other began. But the hit of nostalgia was perfect for the time of year.
It was the final Christmas special I happened across, where the Maze was opened up to not the celebrities who seem to plague the revival, but children. Loud, obnoxious, ridiculously fortunate children. Though they might have me dropping the volume at times, or otherwise just downright jealous, it was a very sweet thing for the show to do. Indeed, it became all the sweeter when these kids made short work of puzzles which stumped the so-called ‘grown-ups’.
Anyway, after taking another look at the set I thought I’d have another go at recreating the Crystal Dome stage, the heart of the Crystal Maze. I would hope to be better equipped than three years ago, when I last attempted this. Certainly, it’s much more realistic in terms of scale; the sixteen-foot dome now rather more snug but still commanding the space. The endearingly naff scaffold decoration is also more carefully done. The tokens are, as previously, a balancing act, trying to get a neat texture whilst going easy on CPU. Fun revisit overall, though, and certainly simpler than last time.
Still waiting for The Crystal Maze VR, by the way.
Happy New Year to all who visit, especially to those who continue to do so. Let’s hope 2019 is a year of grabbing those golden tokens with minimal deduction of silver. Let’s win that murder mystery weekend!