I’ve done lots of pixel art, to the extent that it now seems to have become that thing that I do. While it’s pretty restrictive in some ways – not in a negative way, either – it’s not often that I’ve gone down to the extremes of just two colours with the medium. This grimy urban scene is not so much 8-bit as 1-bit.
With the liberation of not having to worry about selecting colours or palettes, it was an altogether enjoyable exercise, as indeed most design exercises are; the less preliminary panic, the better. The only frustrations came in the nighttime conversion, with the street lights not coming out particularly well. But I do enjoy the side-by-side visual.
This being said, I did use the darkest and lightest colours from the legendary Game Boy here, as well as its screen dimensions. Hopefully my attempts at dithering would give a satisfying result were it to be shown on the handheld.
It rather forces a more stylised approach this way, and I like that. I need that! I’m intrigued to try it again and see how I could get on with a more rural setting. If anything good comes of it, you’ll be the first to know!
The Weakest Link. It’s that show from 2000, where the host was really mean to the contestants, and even encouraged them to be mean to their so-called teammates!
Well, apparently that wasn’t even meant to be the case; the original intention was for the host to play it straight. However, Anne Robinson found herself getting so frustrated with the players’ poor performance and questionable voting that she just started “telling it like it is”, and that became the format’s unique selling point, imitated by others all over the world.
The nostalgia for Weakest Link, actually, doesn’t really come from the programme, which I rarely saw as everybody else wanted to watch Neighbours instead. As it was, the most I normally saw of it was the last few minutes before The Simpsons. No, the memories here are in the merchandise; fond memories of dark Christmas afternoons with the board game, which was good enough to come not only with several cards full of those pre-voting barbs, but also an Anne Robinson mask for the host to wear. The PlayStation game was a good laugh too, offering a good representation of the game with the added bonus of voice actors, who really hammed up their portrayal of the show’s contestants.
Initial success petered out naturally over time, but the show trucked along on BBC Two for several years, with the odd celebrity special at the weekend on BBC One. Link would see a belated full-time promotion to One in 2008 after they lost Neighbours to Channel 5. It would remain there for a few years before returning to its original channel, making way for the burgeoning Pointless, which has held the slot seemingly ever since. It was around this time that Anne decided she’d had enough of insulting strangers, and the show met a fairly quiet end in April 2012.
There were rumours of a comeback in 2017, in a bid to bolster lacklustre Saturday night schedules on BBC One. Alas, besides a one-off for Children in Need that year, this did not come true; if it was on the table then evidently Robinson didn’t want to do it, which is fair enough. She’s taking the helm of Countdown shortly, a choice I absolutely was not expecting. I would say the chances of her returning to Link any time soon are slim, but that’s not to say it couldn’t return with a new host – it might even help break in the inevitable shift in tone (there were instances where Robinson got a bit full of herself and went way too far). Robert Rinder’sWeakest Link, anyone?
I thought this would be fun in a “Who Wants To Be AMillionaire set, play with lights” kind of way. It turned out that the animations and lighting sequences in this show are much more complex than just dropping them like Millionaire. I had some peculiar hiccups too, with cloned lights deciding to fade out by themselves, but I managed to work around that, sort of, by taking them out of the cloner and making them follow moving targets. As usual, I suspect there was a much easier solution staring me in the face. So, really it wasn’t a huge amount of fun, but it’s productivity in what has been a most unproductive year thus far, so you can’t vote me off for that.
“BANK!” – five seconds out of time, as usual.
I think the weakest link for me is this block editor… ugh!
Not the usual fairground foray, as, besides some modest improvements, we have the exact same model as before. I just fancied turningColorado back to Terminator, although not the Terminator paint job I remember from the Pleasure Beach. This being said, it still took a fair amount of time, probably not aided by my dodgy modelling skills. Then again, I’ve only been practising for about nine years…
At least it looks better than my original Terminator. We can certainly say that much.
It was this interesting little retrospective on the Super Loop on Top which gave me this Terminator itch once again. The series is well worth a look if, like me, you are nostalgic for the fairgrounds of days past. It’s nice to see it getting some recognition; I still think it’s an attractive beast and one of the coolest rides to witness in motion. Maybe when I win the lottery I’ll dig one up and get it back out on the circuit!
I’m surely not alone when I say that music has got me through these crazy times. Old constants have been called upon just that little bit more during lockdown, to the extent that I’ve started to worry if the neighbours hate hearing the same songs over and over. Not that it’s enough to make me actually stop, mind you.
Of course, there are new – and ‘old new’ – earworms popping up all the time. I happened to catch a classic Top of the Pops on BBC Four – they’ve been showing them for about a decade now, starting from 1976 and running from there. They’re now up to late 1990. On said episode, the number one was The Beautiful South with A Little Time and, well, it’s been hard to escape since. I’m not surprised it did well at the time. Anyway, this is why we have this pixel portrait of Briana Corrigan. What a voice! And a feisty lyric, which might explain my colour choices.
Now maybe I’ve done this, I’ll be able to move on. But I doubt it.
I thought the scanlines and EGA palette would give it a suitably 1990 feel. I had been looking for an excuse to use the palette for a while now, and you can probably see why, but nothing has been happening at all lately on the productivity front, until Briana. So, thanks Briana.