Bring On The Chase

Oh no! That must be our brand new Chaser. It’s the Spectral Specimen himself – “The Ghost” Irmin Visible!

Here we have some work from way back in July – an attempted recreation of ITV’s The Chase for another Pacdude Games collab. Unfortunately, the project hit the buffers as we struggled to find a way to properly implement graphics for the show’s final round, meaning these are semi-complete at best. The set is complete, though, so this is going up.

Perhaps TV’s most ubiquitous quiz show, The Chase started quietly in summer 2009, just a short while before long-time rival Pointless reared its head on BBC Two. In the show, a team of four take it in turns to pit their wits against a ruthless quiz genius – The Chaser – with the winners progressing to the final round, where they work as a team to try and defeat the massive geek one more time.

Why ubiquitous, I hear you ask? Well, at some point in the mid-2010s it seems that The Chase rather took off, soaring ahead of Pointless – much to Richard Osman’s dismay, I’m sure – and becoming one of ITV’s biggest shows. This meant other programmes were elbowed out of the way to make way for Chase repeats. As well as the weekdaily showings, it would appear at weekends. During the morning. Celebrity spin-offs. Family spin-offs. And none of this is to mention Challenge often showing nothing but The Chase reruns all day long. While over two thousand episodes have been made, there must be a similar number of showings every year, factoring in all those repeats. And still people go nuts on Twitter whenever, heaven forbid, ITV have the audacity to try a new quiz in the 5pm slot.

Of course, there’s a reason for all of that; the format is very strong and holds up exceptionally well. The final round is probably one of the best of any quiz format, regularly delivering on tension and drama. The Chasers themselves are generally entertaining and likeable – much more than the Eggheads – and more than happy to play up to their perceived persona; as such, there are times where you’re rooting for them. Originally, there were only two Chasers; now, there are six of them – another way in which the show remains fresh.

The lynchpin, though, is surely Bradley Walsh, who is one of the best presenters on TV and superb at both encouraging the contestants and needling the Chasers. It would likely be quite a dry show without him. I don’t really watch it very often, but make a point of catching the Christmas blooper special as he’s bound to make you laugh, either by fluffing his lines or just losing it over a ridiculous question.

Here’s one notable example of that aforementioned final round, where only Judith made it through and still managed to rack up a score of 20 for the Chaser to try and match.

Countdown 1991

I got the bug again after my last Countdown effort. It seemed like the obvious choice to pick my most dated model and give it a refresh. My model of this short-lived (1989-1991) set hasn’t really been touched since my blog post on it which, scarily enough, was more than six years ago. Pre-Brexit, even!

Since that 2016 attempt, I’ve learnt that the letters and numbers boards were the wrong way around, so that’s been fixed, and the boards in general are much improved, having been flown in from my more recent models. I believe they used pretty much the same boards until 1999, so that’s handy, really.

Elswhere, a newer clock is dropped in; weird arch over said clock redone; desks reworked; lighting completely redone.

It does look a lot better, despite the unusually dark lighting; perhaps, by this point, they had decided that darkness was the best thing for this set, or maybe it was an attempt to create mood for the Champion of Champions mini-series. We’ll never know.

Remember when I tried to rework the titles of this era? They’ve been updated now – well, in February anyway – hopefully free of (glaring) errors like the double NOD.

Now, I’m off to Do the Bartman listen to some Metallica. Definitely Metallica.

Hi-Res Countdown

Recently, I gave my model of the Countdown clock a revisit to meddle with its animation. With that, I thought it rude not to give the whole set an overhaul.

It wasn’t really much in the way of reshaping or remodelling elements; the vast majority of it was achieved by modifying textures – some of which hung around for years, much longer than they should have – and lighting. I referred, quite slavishly, to screenshots from a recent episode to create a more authentic setup.

It does rather reinforce just how much a model (or set, for that matter) depends on lighting. The build is mostly the same, yet it’s night and day. I suppose braving the higher resolutions – and resigning myself to the longer render times – helps in the long run. Thank god for Muckluck and his Broken Sword playthroughs, is all I can say.

And here’s the impetus for the whole thing, a render of everyone’s favourite clock running:

Apparently, the new clock (in place since 2013) runs at 29.5 seconds, not 30, so I reworked it accordingly to see if it made a visible difference. I’ll let you decide…

If you were to take a look back at my first attempt from January last year, I hope you’d agree that there’s a significant improvement. I’m pleased with this particular upgrade. Onward, and upward.

Countdown, and indeed Channel 4 itself, will celebrate its fortieth birthday on 2nd November. Not long now – the countdown has started!

A Bit Brutal

Letters play once again. This time, a trip back to the world of brutalism and its – as the name would imply – brash, hard-faced aesthetic. I am a fan.

Ironically, this dalliance began as something similarly geometric but rather more elegant, slicing up octagons and trying to create letters with very slender and narrow lines. At this moment I found myself wanting something bolder, not a headache, so I decided to leave it for further exploration at some other time, perhaps. Perhaps not.

The most fun had here was with the texturing, a hangover from the Twenty-Six Spins challenge of yesteryear, of which brutalism was a highlight. While the simple forms have an appeal of their own, it’s those grimy, utilitarian facades that really play to the theme.

And, of course, the nature of these letters leaves them open to the iterative process. The bars, stems and other assorted body parts can be thickened or narrowed to create diversity without losing the overall vibe. There seems to be a trend these days of using different sizes and weights together in typography so, there we go, I’m in with the crowd.

Later, I spotted that flipping the “R” made rather a nice “Y”. I like it when possibilities bring themselves to the fore.

Indeed, as often happens, this ended up pretty much driving itself. I get great reassurance from that, more and more as time goes on. It’s always fun.

Is That Your Final Answer?

Back into the realm of PowerPoint game shows we go, with a mock-up of Who Wants To Be A Millionaire? in its classic, Tarrant-led incarnation. This is something I’ve attempted several times over several years, but this is definitely the best yet. Some extra sparkle is provided by renders of my now rather old 3D model of the 2001 set. I would ideally have gone for the original 1998 set, but my model of that is inferior and, frankly, the motivation to redo it isn’t there.

Hopefully it’s not too hard to see how it works from the video, but in any case: the options appear by clicking anywhere. The quizmaster then clicks on the letter at the bottom of the screen corresponding to the contestant’s final answer. Clicking on said letter a second time reveals the correct answer. Lifelines function for every question; it’s just a case of remembering to input the information beforehand. I have yet to find a way of carrying over the usage of lifelines; it might not even be possible, so as it is the contestant has all three available for every question.

Question setups for each correct answer are ready-made, and can be copied and pasted in any order to create a full stack.

It’s quite a convoluted animation setup, as anyone who’s worked with PowerPoint beyond spinning and bouncing text can probably imagine, but it works rather well and isn’t overly hard to edit. It’s implementing the sound effects which is likely to be the phone a friend moment.

Extended Titles

It’s that Countdown sequence remake I mentioned back in January, when I reworked the 1989 titles. You have doubtless been on the edge of your seats since then, and for that I can only apologise.

And yes, there are some errors in there, but hopefully none so shamefully glaring as previously. It’s an extended cut this time around too, as, for some reason, the original Countdown theme tune was edited down to twenty seconds, despite predecessor Calendar Countdown using a perfectly serviceable thirty second version. I’m using that uncut theme here.

These snazzy CGI titles were introduced in 1987 for the 500th episode special (for the record, we’re fast approaching 8,000 episodes and forty years on air) and lasted just over two years. I’m wondering if they were perhaps saw the teatime game show on the other side – Blockbusters, of course – and decided they too would like a futuristic 7-segment style logotype? While we’re at it, how on earth did Bob manage to get away without a single appearance in Dictionary Corner? He’d probably have been a brilliant host aswell. Perhaps he was just too cool for Countdown.

Though obviously a big visual update back in the day, I was somewhat indifferent to the titles prior to working on this. I can imagine the animation process in the eighties was rather more challenging and laborious than today, and still I found it a pain to get those letters and numbers to fly around into the box. That’s partly why I hit the wall months ago – I just didn’t have a clue how to do it properly! Eventually, after resolving to get it out of the way by hook or by crook, I found a way using a spline and offsetting each letter. But it still doesn’t look quite as elegant as the original, so hats off to YTV and whoever animated this sequence.

Power Lines

Using a rather different pallette to recent adventures, here we have twin electricity pylons which stand near to the village of Haddiscoe. Due to their position next to a waterway (called the New Cut) they are rather tall – exactly how tall I’m not sure; I haven’t climbed them, and won’t be doing so any time soon. Of course, on the Norfolk skyline such a construction is visible for many miles around, so these have never really been far from my eye, but I kind of like pylons and their weird, ominous presence, so this isn’t an issue for me.

That personality was the focus of these developments. The sketch came from wandering around the area in Google Street View, just out of curiosity really, after a local news report of some weather damage to the railway embankment there. There’s just something about the way these pylons have stood so tall in the remoteness for so long, effortlessly looming over the space.

Though the sketch from Street View goes some way to depicting the atmosphere, I feel these more graphic pieces better capture their “power”.

Wintermill

Following on from the snowy conifers, we have a rather different take on the snappy winter weather, and a subject making its welcome return. Rejoice, the first windmill in over a year! And even that one was just an animation of a model made in 2017. The last one before that was a drawing back in March 2020.

Well, I must confess this isn’t entirely new, either. In fact, it’s a repurposing of several elements. It’s my Post Mill model from way back in 2016 (which was very much inspired by Stanton Mill in Suffolk) decked out with new sails and a coat of paint. I then added some grids, randomly distributing squares and rectangles which use textures I created years ago but still really enjoy playing with. While I have applied them to the mill model, using the favoured frontal projection, I really like creating bumpy, displaced 3D textures and sending them to a two-dimensional plane. That might sound counter-productive or plain silly, but the results are quite exciting to me. I’m a sucker for that harsh, icy aesthetic, and this method creates it in such a way that I probably couldn’t draw or paint, even if I tried. It’s possible that the end result is a little heavy-handed with the squares, but I do enjoy the frosty vibe. It’s not often I “frame” work, either, but I felt like it added a little something in this instance.

How nice to spin a few old bits and bobs into something new.

Here’s a curious little programme about windmills from more than half a century ago:

Busting Blocks

Busting creative blocks that is, or at least attempting to, for here we have another game show title sort-of-recreation-but-not-good-enough-to-be-exact-so-let’s-call-it-a-redux. And that’s Blockbusters. I’ve gone with the original, lesser-remembered sequence, used from 1983 until around 1986, when the more famous metropolis with flying hexagons came in.

Aside from adding some extra pink glow and turning the “stream of knowledge” into some trippy tunnel – and with different nuggets of said knowledge – not a huge amount has changed. This one was good fun – frustrating in places, but it seems like every 3D project goes that way to a degree. I’ve learnt some nifty new shortcuts on this and the Countdown attempt, so they’re not completely pointless (now there’s a game show you’ll never have to put up with here!)

As far as I can tell, there aren’t any screw-ups in this one, either, so that’s something to hand jive about. I did have to pull the original version from YouTube because of some horrible flicker on the aforementioned glow, but that seems to have been fixed.

For reference, comparison or just sheer nostalgia, here’s the first ever episode of (UK) Blockbusters, from almost forty years ago.

Complete Titles

Happy New Year to you. You crazy fool, sticking around for all this time.

So. A new year. A bit battered, a bit tired, but a fresh start apparently. So let’s go back to the late eighties while also throwing back to last year. In a semi-response to a post from a few months back, here we have a complete Countdown title redux.

The real thing here is, can you spot the cock-up in my recreation?

It’s relatively minor, such that it took me a few watches to notice so, if you do catch it, a nod to you for being awake and bothered. There are lots of TV and game show enthusiasts among my YouTube subscribers, many of whom beyond eagle-eyed. I’m frankly surprised that none of them pointed it out straight away.

Anyway, this is based on the titles introduced in summer of 1989. I have upscaled to widescreen and applied a few tweaks here and there, chiefly a more faithful representation of the clock (without losing the aesthetic) and using the familiar white and blue colour scheme for the words, not the red and white which proved problematic to say the least. It’s a rather simple sequence; creation was more time-consuming than difficult. It does look primitive now, but I still think it’s a neat title concept, probably the strongest the show has had.

I’m warning you now that, partly due to the kind reaction to this on YouTube, a similar treatment of the preceding Countdown sequence is underway, so watch out for that. If it’s good, it might end up here. If there’s an error, it might too end up here!

Spotted it yet?