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I got the bug again after my last Countdown effort. It seemed like the obvious choice to pick my most dated model and give it a refresh. My model of this short-lived (1989-1991) set hasn’t really been touched since my blog post on it which, scarily enough, was more than six years ago. Pre-Brexit, even!

Since that 2016 attempt, I’ve learnt that the letters and numbers boards were the wrong way around, so that’s been fixed, and the boards in general are much improved, having been flown in from my more recent models. I believe they used pretty much the same boards until 1999, so that’s handy, really.

Elswhere, a newer clock is dropped in; weird arch over said clock redone; desks reworked; lighting completely redone.

It does look a lot better, despite the unusually dark lighting; perhaps, by this point, they had decided that darkness was the best thing for this set, or maybe it was an attempt to create mood for the Champion of Champions mini-series. We’ll never know.

Remember when I tried to rework the titles of this era? They’ve been updated now – well, in February anyway – hopefully free of (glaring) errors like the double NOD.

Now, I’m off to Do the Bartman listen to some Metallica. Definitely Metallica.

Recently, I gave my model of the Countdown clock a revisit to meddle with its animation. With that, I thought it rude not to give the whole set an overhaul.

It wasn’t really much in the way of reshaping or remodelling elements; the vast majority of it was achieved by modifying textures – some of which hung around for years, much longer than they should have – and lighting. I referred, quite slavishly, to screenshots from a recent episode to create a more authentic setup.

It does rather reinforce just how much a model (or set, for that matter) depends on lighting. The build is mostly the same, yet it’s night and day. I suppose braving the higher resolutions – and resigning myself to the longer render times – helps in the long run. Thank god for Muckluck and his Broken Sword playthroughs, is all I can say.

And here’s the impetus for the whole thing, a render of everyone’s favourite clock running:

Apparently, the new clock (in place since 2013) runs at 29.5 seconds, not 30, so I reworked it accordingly to see if it made a visible difference. I’ll let you decide…

If you were to take a look back at my first attempt from January last year, I hope you’d agree that there’s a significant improvement. I’m pleased with this particular upgrade. Onward, and upward.

Countdown, and indeed Channel 4 itself, will celebrate its fortieth birthday on 2nd November. Not long now – the countdown has started!

It’s that Countdown sequence remake I mentioned back in January, when I reworked the 1989 titles. You have doubtless been on the edge of your seats since then, and for that I can only apologise.

And yes, there are some errors in there, but hopefully none so shamefully glaring as previously. It’s an extended cut this time around too, as, for some reason, the original Countdown theme tune was edited down to twenty seconds, despite predecessor Calendar Countdown using a perfectly serviceable thirty second version. I’m using that uncut theme here.

These snazzy CGI titles were introduced in 1987 for the 500th episode special (for the record, we’re fast approaching 8,000 episodes and forty years on air) and lasted just over two years. I’m wondering if they were perhaps saw the teatime game show on the other side – Blockbusters, of course – and decided they too would like a futuristic 7-segment style logotype? While we’re at it, how on earth did Bob manage to get away without a single appearance in Dictionary Corner? He’d probably have been a brilliant host aswell. Perhaps he was just too cool for Countdown.

Though obviously a big visual update back in the day, I was somewhat indifferent to the titles prior to working on this. I can imagine the animation process in the eighties was rather more challenging and laborious than today, and still I found it a pain to get those letters and numbers to fly around into the box. That’s partly why I hit the wall months ago – I just didn’t have a clue how to do it properly! Eventually, after resolving to get it out of the way by hook or by crook, I found a way using a spline and offsetting each letter. But it still doesn’t look quite as elegant as the original, so hats off to YTV and whoever animated this sequence.

Happy New Year to you. You crazy fool, sticking around for all this time.

So. A new year. A bit battered, a bit tired, but a fresh start apparently. So let’s go back to the late eighties while also throwing back to last year. In a semi-response to a post from a few months back, here we have a complete Countdown title redux.

The real thing here is, can you spot the cock-up in my recreation?

It’s relatively minor, such that it took me a few watches to notice so, if you do catch it, a nod to you for being awake and bothered. There are lots of TV and game show enthusiasts among my YouTube subscribers, many of whom beyond eagle-eyed. I’m frankly surprised that none of them pointed it out straight away.

Anyway, this is based on the titles introduced in summer of 1989. I have upscaled to widescreen and applied a few tweaks here and there, chiefly a more faithful representation of the clock (without losing the aesthetic) and using the familiar white and blue colour scheme for the words, not the red and white which proved problematic to say the least. It’s a rather simple sequence; creation was more time-consuming than difficult. It does look primitive now, but I still think it’s a neat title concept, probably the strongest the show has had.

I’m warning you now that, partly due to the kind reaction to this on YouTube, a similar treatment of the preceding Countdown sequence is underway, so watch out for that. If it’s good, it might end up here. If there’s an error, it might too end up here!

Spotted it yet?

A few weeks ago, I was approached on YouTube by Pacdude Games, who suggested collaborating to update his Countdown presentation package, for streams and such. This sounded exciting and I’ve always liked his work, so I said yes.

Thankfully, the majority of visual work had already been done, as I tackled the current Countdown set way back in January. This project was mostly tidying the set up, and placing cameras for rendering the clock sequence in a fashion that is somewhat faithful to the programme – making sure there is space in the lower third for the different puzzles which, helpfully, are not uniform. Also added was a retexturing for the crucial conundrum, which can now adopt mood lighting resembling that seen on the show.

This was good fun, and Cory’s coding has turned these elements into something I could only dream of creating. It’s always satisfying to see graphics actually being used.

Here’s the first Countdown Throwdown stream. It’s a good laugh! Hopefully there will be more. You can also find Pacdude Games here.

I was asked to take one of my Countdown set models and animate the classic opening camera shot, where it would pan from the audience around to the set. Always one to give the people what they want, I went ahead and did it, with the 1994 model. And, always one to go overboard, I included an old attempt at reimagining the show’s opening titles from the same era. The fact that they aren’t finished, I fear, tells you all you need know. Title sequences are harder than they look! But I thought I’d just include the last few seconds to feed into this new render.

Countdown used to get new titles every few years, but the current set have been around for almost ten years, likely for budget reasons. I would say they’re due a refresh, so if anyone out there is adept with animation and fancies a project, why not have a go?

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Imagine Countdown still going in 2021.

Imagine me still posting about Countdown in 2021.

Well, indeed, a new year brings the same old shizzle. In more ways than one, this time around. I have little to say about this programme that hasn’t already been posted several times, so let’s just move on to the project. I had covered all studio sets for the show, bar the current one, introduced in 2017 for the show’s 77th series. So here we are, for the completionists out there. It was certainly evolution over revolution and in some ways a bit of a downgrade from the classy predecessor – the upper section looks a bit like someone left the scaffolding up – but I guess simplicity was the word in mind (yes, that’s ten letters). With nice lighting I suppose it looks decent enough, and the desk is rather swish.

I hadn’t really watched Countdown for a year or so when lockdown (the first one) struck, but rather got back into it as I found it snuck nicely into my schedule. I’m sure that was the case for some other people too, and with another one looming that process may repeat itself. It’s good to have an old classic on hand for some simple escapism, with some astonishment at just how bad at the game I have become. But I suppose that’s part of the fun. There’s also the prospect of a new presenter in its fortieth year, with Nick Hewer to step down in the summer; at first it was for a few weeks’ shielding, then he decided to jack it in altogether. I can’t say I’m too upset about that, though to have stuck at it for as long as he has is impressive. Hopefully they find a host who can wake the show (and Rachel) up a bit and restore some of the spark it used to have. Basically, what I’m saying is they should just give it to Colin Murray. It’s either he or Moira Stuart.

I feel the Bee Gees should take some of the credit for this, as they have bound into my life for some unknown reason and their bizarre groove was the backing track for this build. “TRAGEDY…” My neighbours must love me.

Happy New Year. The countdown to the end of lockdown is on.

Well, here we are again! I am sensing polite smiles all around as we buckle up for yet another edition of Countdown. Honestly, the thinking behind this was similar to the previous pine cones. Not sure of the time I’d have, it was really just something I thought I could chip away at in short bursts without taxing my brain too much. It would just be a case of modifying my previous attempt, looking at the early nineties set.


This time, we’re in 1999, a happy time just before the millennium bug would come along and change life as we know it, blowing up all of our computers and pulling planes from the sky. Or, perhaps, not so much. Thankfully. I understand much was done behind the scenes to alleviate any potential issues, but, as a child at the time, all I remember is the media doing a good job of putting the fear of God into us. Some things don’t change, huh, or maybe it was a godsend that we all bought our Y2K-compliant watches, calculators and underwear. All this being said, I can’t have let it get to me that much, as my memories of that Christmas and New Year are entirely happy. I guess that’s how it should be when you’re seven.

Besides the obvious switch to indigo lighting, the main set really hasn’t changed much; some minor adjustments to the backdrop, and some new textures, but that’s about it. It was really a test to see how much I could do to clean up the clock’s ‘wings’ without having to redo them, because I remember they were quite the pain and I can barely even remember how I did it anyway.

cd1999-011aNew letters and numbers area! Clearly, they were going mad with the budget at this point – they might have even gone into triple figures throwing the lights in over here. The boards are the same as before, just modified, but the backdrop and numbers tray are completely new.

cd1999-010aIf you’re not a fan of the colour scheme – maybe you’d prefer it if it were blue daba dee daba die – here’s an attempt at recreating the credits, with the flashing lights and bright orange:

cd1999-lightsI feel like Countdown – with a warm presenter, at least – is a programme perfect for this time of year, whether you’re snowed in, dumfungled or just feeling lazy. Essentially a parlour game, friendly and unquestionably familiar, it seems to chime with much of the Christmas spirit of tradition. That would doubtless explains why, these days, the Christmas break is about the only time Channel 4 don’t show Countdown! It didn’t used to be this way, though; I remember when the grand final was screened on Christmas Day itself, indeed 1999 being one such year. I know it’s not as popular as it used to be, and Nick Hewer is so dour that he cannot be relied upon to big things up, but I do miss the finals actually having a sense of occasion. Ah well. I suppose hidden-away-at-two-o’clock Countdown is better than no Countdown at all.

Yes, it’s what you’ve long clamoured for – and that’s a nine-letter word.

A return visit to this Countdown malarkey (only eight, but a darn good word) is, admittedly, normally code for having a thirst to create but a total drought of practical (nine letters) ideas – it’s often the way, or vice versa. Had I the skills before, though, I probably would have gone straight to this one, rather than chip away at the very wooden predecessor. It was a bit of a nightmare with curve upon curve, and troublesome splines all over – a lot of the successes came from just winging it, but I guess that’s part of the fun. I’m pretty pleased with what I eventually coaxed out of the chaos, and I’d hope it’s all the better for the time that’s passed since my last go.

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A retro look for the early nineties, the show went truly overboard (nine!) with lights – hundreds of the things, in strands strung from the clock in chevron-esque ‘wings’, which I always presumed was a grandiose (again!) nod to producer Yorkshire TV’s logo-mark, but I could have overthought that. They would even blink when somebody scored the ultimate goal of a nine-letter word – a reward whose manner probably says all that need be said of Countdown.

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With all that flash and the show being at its peak during the nineties, it’s probably the definitive Countdown look for many; it’s certainly the one in which the warmest memories are wrapped up for me, spending half an hour each day in the company of avuncular pun-master and sartorial deckchair, Richard Whiteley and, in the perfect TV/dinner partnership, a bowl of Alphabetti spaghetti. (I think it’s this wistful nostalgia that tricked me into thinking that stuff tasted good!) I’m moved to think of my grandfather excitedly telling me that Countdown was about to start and sitting me on his knee, or asking if I managed to outdo the contestants last time. The answer was always no, but he knew that one day I would figure it out, and, sure enough, I did! Appropriately for a game dominated by a big clock, Countdown over its thirty-five years has forged an affinity with time like no other TV show I can think of – both my grandfather and Richard are now but memories, but they come to mind whenever the music hits. They were happy days.

There are probably several nine-letter words in there.

cd94F2All this being said, it figures that it jarred somewhat when the show was given a makeover, but the flowing locks live on as that thing of unmatched beauty, the victor’s teapot, which takes its form even today.


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I should put this in the Timepiece series – yes, the one I started in September and haven’t added to since; a much-needed kick up the arse for it, let’s hope it works! And it’s not like it’s unjust. The nation can continue without Big Ben, but I wouldn’t fancy our chances if the Countdown clock were silenced, would you!? Long may the clock tick.

In a tradition laid down only a few months ago, I thought it adequate use of my quiet afternoon to sort my second lot of wrestlers into a pack of trading cards. A rather different style, this time, as I feel this bunch is generally edgier than the last – this has allowed me to go rather Photoshop happy with gradients. There’s no wildcard this time, sadly, but the much sought after ‘supercard’ has made a return visit!

Whether any more will come in the future, I’m not sure. They’ve again been great fun. Throughout these series I’ve been progressively ticking off a list of potential candidates, and many are left waiting. I do have some other ideas in terms of execution, too – we’ll have to see if they pan out!

For now though, what better way to round off the year than with a class photo?

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They may look a troupe of burly, unforgiving chaps, but they ask me to wish you a very peaceful and prosperous 2017. Indeed, I’d like to say the same; enjoy yourself this evening if you’re up to mischief, and I hope next year brings you all that you want from it.

Oh, and speaking of traditions… though I’m not sure the Countdown clock takes into account this ‘leap second’ business – hat tip to JP and Guido, there – so you’ll have to bear that in mind!

To 2017! x