Monthly Archives: October 2020

In a previous lettering post, I mused on the idea of taking sharp, industrial forms and giving them a Gothic influence. That’s how this succeeding project began, but, as you can probably tell, I ended up in quite a different place. Maybe I’ll revisit that someday.

This time, I ended up with circuit boards after discovering a ready-made model of one in C4D. They are fascinating to look at, with their intricate tracks within a city of components – even now, there’s a futuristic feel about them. Perhaps a touch of retro-futuristic too, as I remember marvelling at the board from our original ZX Spectrum as it sat broken in a container for years.

I ripped the bump map texture from the 3D model and started cutting it up into letters; not much to see there originally, so I started cutting my own letters. using the board as a guide. That’s how the header came about. The Photoshop threshold effect gave it a nice printed edge, which I thought an interesting juxtaposition. Furthermore, it pushed me back into my favoured position of monochrome goodness:

Though, I did pull myself away momentarily to try and give the impression of a letter-shaped tracking.

Eventually though I returned to the threshold effect, but using green! I worried that black and white tracks to this extent might become migraine fuel for you (and me). The letters are also inverted to help with contrast.

I suppose the next step (or likely the first step for any logical human being) would be to actually create a circuit board layout with the corresponding letter imprinted on it, rather than overlapping textures in the shape of the letter. It’s worth a shot. It’s always worth a shot. But I do think what we have here is a nice novelty. With my time so much less than before, I’m quite happy for anything to jump out in an evening, like this has.

As for why I chose the name Computer over Circuit, Circuitry or something more relevant – eh. At least I got a few more unique letters out of my choice.

It’s that rare time once again where I can actually sit down and cut some letters. I feel like every time I moan about not having the time for it, but I suppose it  at least makes me enjoy the process a little more.

Anyway, this time – and for whatever reason – I went for a fusion of steampunk and industrial forms. Indeed, ‘fusion’ ended up being the operative word for this project, as I then began cutting the final alphabet up and, well, fusing them together (in Photoshop, and quite badly… but it, er, adds a slapdash charm to the thing, right?). I do like to do this, although my tutors back in the day would probably have considered it indecision or a lack of confidence. They might have been right, but oh well! It enables alternatives to be substituted in, and I don’t really see that variation as a negative. I even ended up with a gothic-tinged M made from a B and two overlapping As, which you can see in the gallery below. These are the fruits of the iterative process. Perhaps I could attempt an ‘industrial gothic’ face in the future?

Lots of bulky, rigid slabs here with some Channel 4-esque blocks thrown in to make these weird letter machines, but I did make a conscious effort to try and include some rounded forms for appropriate letters, something I was initially going to avoid. They are probably the weakest of the set, but forcing myself to try was better than chickening out, and the S actually turned out alright.

It was after all this smooshing and fusing that I came up with the name: Bits + Bobs…

..but don’t let the cutesy name fool you; they can still look rather brash when blown up. I even tried linking the forms up to create a more literally mechanical feel.

Well, if I routinely complain about not having the time to do this more often, then I surely finish with a comment about how fun it was. But it’s true! Once a semblance of concept emerges, the time just flies by.