Anyway, I thought it was worth reanimating this corpse of a blog to tell you about the Game Show Marathon, a fundraiser which, you guessed it, means Cory Anotado and the team will be hosting and playing through twenty-four different game shows in as many hours. Back for the first time since 2019, it all kicks off on Saturday, raising more money for Child’s Play. You can find out more about the event and chosen charity here, and it appears the main Twitch stream will be hosted there also.
Do watch along (it’s fun!) and give if you are inclined to do so.
Here’s a copy of the full lineup, which I’ve adjusted to BST for those this side of the pond:
5 PM – Family Feud (Family Fortunes) 6 PM – Who Wants To Be A Millionaire? 7 PM – Split Second 8 PM – The Wheel 9 PM – Win Dave Mattingly’s Money 10 PM – Concentration 11 PM – The Answer Trap 12 AM – Jeopardy! 1 AM – Panic Quiz Attack 25 2 AM – The Chase 3 AM – Super Dice Q 4 AM – Match Game (Blankety Blank) 5 AM – Mastermind 6 AM – Hypothetical 7 AM – Press Your Luck 8 AM – Quizmania 9 AM – Wheel of Fortune 10 AM – Lingo 11 AM – Just A Minute 12 PM – Pass The Buck 1 PM – I Literally Just Told You 2 PM – Countdown 3 PM – Password 4 PM – Deal or No Deal
Busting creative blocks that is, or at least attempting to, for here we have another game show title sort-of-recreation-but-not-good-enough-to-be-exact-so-let’s-call-it-a-redux. And that’s Blockbusters. I’ve gone with the original, lesser-remembered sequence, used from 1983 until around 1986, when the more famous metropolis with flying hexagons came in.
Aside from adding some extra pink glow and turning the “stream of knowledge” into some trippy tunnel – and with different nuggets of said knowledge – not a huge amount has changed. This one was good fun – frustrating in places, but it seems like every 3D project goes that way to a degree. I’ve learnt some nifty new shortcuts on this and the Countdown attempt, so they’re not completely pointless (now there’s a game show you’ll never have to put up with here!)
As far as I can tell, there aren’t any screw-ups in this one, either, so that’s something to hand jive about. I did have to pull the original version from YouTube because of some horrible flicker on the aforementioned glow, but that seems to have been fixed.
For reference, comparison or just sheer nostalgia, here’s the first ever episode of (UK) Blockbusters, from almost forty years ago.
Happy New Year to you. You crazy fool, sticking around for all this time.
So. A new year. A bit battered, a bit tired, but a fresh start apparently. So let’s go back to the late eighties while also throwing back to last year. In a semi-response to a post from a few months back, here we have a complete Countdown title redux.
The real thing here is, can you spot the cock-up in my recreation?
It’s relatively minor, such that it took me a few watches to notice so, if you do catch it, a nod to you for being awake and bothered. There are lots of TV and game show enthusiasts among my YouTube subscribers, many of whom beyond eagle-eyed. I’m frankly surprised that none of them pointed it out straight away.
Anyway, this is based on the titles introduced in summer of 1989. I have upscaled to widescreen and applied a few tweaks here and there, chiefly a more faithful representation of the clock (without losing the aesthetic) and using the familiar white and blue colour scheme for the words, not the red and white which proved problematic to say the least. It’s a rather simple sequence; creation was more time-consuming than difficult. It does look primitive now, but I still think it’s a neat title concept, probably the strongest the show has had.
I’m warning you now that, partly due to the kind reaction to this on YouTube, a similar treatment of the preceding Countdown sequence is underway, so watch out for that. If it’s good, it might end up here. If there’s an error, it might too end up here!
Nerds of a certain age, rejoice! GamesMaster is back after almost twenty-four years, with a considerably longer running time and considerably fewer nob jokes. What’s more, the legendary Sir Trevor McDonald has succeeded Patrick Moore as the computerised couch potato, the titular Gamesmaster.
There isn’t much more to this little experiment; struck by once again seeing the lovely gothic ‘M’ which has ever adorned the GamesMaster logo, I fancied playing with some similar letterforms. Nerds rejoice once more.
After the usual dithering to start off, it was quite fun trying to create a harder, more angular counterpart to the the traditional flourishes of old English lettering – though, on some occasions, it might have helped to actually deviate from my beloved grid. They look quite brutal and industrious. It may be worth a full-on revisit at some point, perhaps attempting to introduce some curves and arcs.
By the way, the first episode of new GamesMaster is pretty good! Having been let down by so many of these big comebacks, I wasn’t expecting much at all, but they’ve actually done a fine job of not tampering with a winning formula and maintaining the delightfully cringeworthy spirit of the original. Whether such a show needs to exist in 2021 is perhaps up for debate, but there are only three episodes in this series so I say just enjoy it while it lasts!
Yes, it’s a bit of a throwback for me, but then what isn’t at this point of dragging Jaywalks along? People who have been here for a while may recall an old wheel model being the star of more than one art series, most prominently so in Twenty-Six Spins, where it determined the prompts for each day. That was three and half years ago now. Let that sink in. Three and a half years. And still I haven’t got around to doing it again.
This project was nothing more than me taking the old girl for another spin and giving her a fresh coat of paint, in line with the first series of Wheel of Fortune on ITV, back in 1988. The decadence of the tubes surrounding the wheel, flashing in sync with each spin felt like a fun aesthetic to try and recreate. Felt like. Inspiration also came from YouTube recommending me videos of people showing off their home-made wheels – actual, physical wheels which are much more impressive than this. See here.
Incidentally, Wheel at the time offered some of the largest major prizes on television (£4,000 or a cool eighties car) and it would hold its own in that regard for ten years or so; only when Who Wants To Be A Millionaire came along did Wheel start to look somewhat naff and, sure enough, by 2000 it was hidden away in daytime. By 2002 it was all over, bar the odd filler repeat. Though not exactly a huge favourite of mine – I enjoyed playing the Nintendo game with my sister more than the actual show – I remain surprised that it hasn’t been brought back at some point in the last twenty years. What’s stopping them? Everything else has come back.
However, if we’re seriously talking American game shows that deserve another shot here… Jeopardy please please please, but do it properly for heaven’s sake.
A few weeks ago, I was approached on YouTube by Pacdude Games, who suggested collaborating to update his Countdown presentation package, for streams and such. This sounded exciting and I’ve always liked his work, so I said yes.
Thankfully, the majority of visual work had already been done, as I tackled the current Countdown set way back in January. This project was mostly tidying the set up, and placing cameras for rendering the clock sequence in a fashion that is somewhat faithful to the programme – making sure there is space in the lower third for the different puzzles which, helpfully, are not uniform. Also added was a retexturing for the crucial conundrum, which can now adopt mood lighting resembling that seen on the show.
This was good fun, and Cory’s coding has turned these elements into something I could only dream of creating. It’s always satisfying to see graphics actually being used.
Here’s the first Countdown Throwdown stream. It’s a good laugh! Hopefully there will be more. You can also find Pacdude Games here.
Would you enter a dungeon to play a game devised by these two?
I hear that the new The Crystal Maze has been axed by Channel 4 after only three series. I must confess I stopped watching it about five episodes in, feeling it was not made for me. It doesn’t sound like it ever improved, and indeed the trajectory of viewing figures suggested it wasn’t made for lots of other people also. Going celebrity only for its final run was the final straw. It’s a frustrating misfire; the first episode back in 2017 drew one of the biggest audiences of the year for Channel 4 and the opportunity for something special was obviously there. Oh well! At least we still have the original series, and that was actually quite good.
With that mindset, you can understand why, on hearing of its termination, I produced this. Here’s a pixel art portrait of our mellifluous maître-d to the Crystal Maze, Richard O’Brien and his Mumsey (Sandra Caron) from days of yore. The style is loosely based on the RetroMania characters I worked on. Neither look particularly like their real-life counterpart – I’ve tried Richard several times in pixel and have yet to perfect his unique visage – but the “eclectic” outfits were fun to work on. I wouldn’t want to complete a sprite sheet of either, though!
On a completely unrelated note: did you know it’s once again possible to access the Classic Editor, free of blocks? Maybe it has always been there, I’m not sure, but I thought if anybody out there is still annoyed by them then you might want to know. In your admin, go to Posts and note the ‘Screen Options’ tab in the top-right corner. Change to Classic View. You’ll then get the little ‘Add New’ button with the drop-down menu which allows you to select the Classic Editor. Hooray!
I was asked to take one of my Countdown set models and animate the classic opening camera shot, where it would pan from the audience around to the set. Always one to give the people what they want, I went ahead and did it, with the 1994 model. And, always one to go overboard, I included an old attempt at reimagining the show’s opening titles from the same era. The fact that they aren’t finished, I fear, tells you all you need know. Title sequences are harder than they look! But I thought I’d just include the last few seconds to feed into this new render.
Countdown used to get new titles every few years, but the current set have been around for almost ten years, likely for budget reasons. I would say they’re due a refresh, so if anyone out there is adept with animation and fancies a project, why not have a go?
The Weakest Link. It’s that show from 2000, where the host was really mean to the contestants, and even encouraged them to be mean to their so-called teammates!
Well, apparently that wasn’t even meant to be the case; the original intention was for the host to play it straight. However, Anne Robinson found herself getting so frustrated with the players’ poor performance and questionable voting that she just started “telling it like it is”, and that became the format’s unique selling point, imitated by others all over the world.
The nostalgia for Weakest Link, actually, doesn’t really come from the programme, which I rarely saw as everybody else wanted to watch Neighbours instead. As it was, the most I normally saw of it was the last few minutes before The Simpsons. No, the memories here are in the merchandise; fond memories of dark Christmas afternoons with the board game, which was good enough to come not only with several cards full of those pre-voting barbs, but also an Anne Robinson mask for the host to wear. The PlayStation game was a good laugh too, offering a good representation of the game with the added bonus of voice actors, who really hammed up their portrayal of the show’s contestants.
Initial success petered out naturally over time, but the show trucked along on BBC Two for several years, with the odd celebrity special at the weekend on BBC One. Link would see a belated full-time promotion to One in 2008 after they lost Neighbours to Channel 5. It would remain there for a few years before returning to its original channel, making way for the burgeoning Pointless, which has held the slot seemingly ever since. It was around this time that Anne decided she’d had enough of insulting strangers, and the show met a fairly quiet end in April 2012.
There were rumours of a comeback in 2017, in a bid to bolster lacklustre Saturday night schedules on BBC One. Alas, besides a one-off for Children in Need that year, this did not come true; if it was on the table then evidently Robinson didn’t want to do it, which is fair enough. She’s taking the helm of Countdown shortly, a choice I absolutely was not expecting. I would say the chances of her returning to Link any time soon are slim, but that’s not to say it couldn’t return with a new host – it might even help break in the inevitable shift in tone (there were instances where Robinson got a bit full of herself and went way too far). Robert Rinder’sWeakest Link, anyone?
I thought this would be fun in a “Who Wants To Be AMillionaire set, play with lights” kind of way. It turned out that the animations and lighting sequences in this show are much more complex than just dropping them like Millionaire. I had some peculiar hiccups too, with cloned lights deciding to fade out by themselves, but I managed to work around that, sort of, by taking them out of the cloner and making them follow moving targets. As usual, I suspect there was a much easier solution staring me in the face. So, really it wasn’t a huge amount of fun, but it’s productivity in what has been a most unproductive year thus far, so you can’t vote me off for that.
“BANK!” – five seconds out of time, as usual.
I think the weakest link for me is this block editor… ugh!
Well, indeed, a new year brings the same old shizzle. In more ways than one, this time around. I have little to say about this programme that hasn’t already been posted several times, so let’s just move on to the project. I had covered all studio sets for the show, bar the current one, introduced in 2017 for the show’s 77th series. So here we are, for the completionists out there. It was certainly evolution over revolution and in some ways a bit of a downgrade from the classy predecessor – the upper section looks a bit like someone left the scaffolding up – but I guess simplicity was the word in mind (yes, that’s ten letters). With nice lighting I suppose it looks decent enough, and the desk is rather swish.
I hadn’t really watched Countdown for a year or so when lockdown (the first one) struck, but rather got back into it as I found it snuck nicely into my schedule. I’m sure that was the case for some other people too, and with another one looming that process may repeat itself. It’s good to have an old classic on hand for some simple escapism, with some astonishment at just how bad at the game I have become. But I suppose that’s part of the fun. There’s also the prospect of a new presenter in its fortieth year, with Nick Hewer to step down in the summer; at first it was for a few weeks’ shielding, then he decided to jack it in altogether. I can’t say I’m too upset about that, though to have stuck at it for as long as he has is impressive. Hopefully they find a host who can wake the show (and Rachel) up a bit and restore some of the spark it used to have. Basically, what I’m saying is they should just give it to Colin Murray. It’s either he or Moira Stuart.
I feel the Bee Gees should take some of the credit for this, as they have bound into my life for some unknown reason and their bizarre groove was the backing track for this build. “TRAGEDY…” My neighbours must love me.
Happy New Year. The countdown to the end of lockdown is on.